My Media Diary – Contact Sheets and Edit

The initial idea was based on books and bookshelves (01-25) and the idea moved on to the change from analogue to digital media and the new devices I used to consume it. I started taking shots of my Vinyl LP’s, DVD’s, CD’s and books and paired them off against the smartphone, tablet, bluetooth headphones and streaming TV services.

My early images were fairly close up but my aim was to include lots of everyday items within the frame and around the edges to create viewing interest.  I varied the shots using straight on viewpoints and angles. Although I liked the formal aspect of the straight on images (15, 39, 43, 46, 48, 56) these did not convey the informal and mundane that I required. I decided I needed a combination of wider angle and close up as I was struggling to capture everything I needed in single images.

The idea of mini stories came from Paul Graham’s Shimmer of Possibility and gave me confidence to mix up depths of field, wide angles and close ups. I wrote down some scenarios and potential shots that would create the stories:

-Walking past the old to get to the new
Passing glance at the old
Close up of the old
Move to the new
Close up of the new
Concentrate on the new

-Seated at/with the new, glance at the old, come back to the new
Concentrate on the new
Close up of the new
Glance at the old
Close up of the old
Move back to the new

-Seeing the new in the distance and passing by the old to get to the new
Long distance view of the new
Passing glance at the old
Close up of the old
Concentrate on the new
Close up of the new

I printed out some contact sheets and made selections and hand written notes prior to my final shoot with the tripod. My five stories were decided:

TV Streaming device / DVD / Living room
Reading Twitter on tablet device / Books / Study
Playing music from laptop via Bluetooth speaker / CDs / Dining room
Amazon Alexa / AM-FM Radio / Bedroom
Music from smartphone to Bluetooth headphones / LPs / Dining room

Having selected 6 images per story I found that the images all looked similar and were dominated by wooden furniture (65-110). Although I wanted the domestic aspect to be present the media side of the idea wasn’t coming across.

The final shots used for submission (111-150) were taken with a 40mm lens using a tripod so that I could achieve a clean ISO 100 and full control of exposure. The prime lens meant that I had to be physically closer for the pack-shots. All images except the bedroom radio scenes were taken in natural light. The bedroom radio shots were taken with the room light switched on to give a night time feel.

All previous test shots were hand held mostly using ‘Auto’ ISO and various zoom lenses. I used a combination of natural light and a flash gun with a mini soft box. White balance and exposure was off in most cases but this wasn’t an issue as the main aim of these shots was to work through ideas with different angles and depths of field.

My final edit of 5 sets of 4 images was chosen from images 111-150. This resulted in me selecting the following 4 styles for each of the 5 stories:
–  setting the scene, wider room shot
–  close up of the old
–  close up of the new
–  the new in situ

My subject of interest in each image is central on the horizontal plane. In most cases, but not all, it is central vertically too. My viewing angle was usually standing and in some cases sitting to convey the feeling of me being there and moving around looking at the item in my eye line.

My final decision was how to present them. I considered varying the aspect ratio and frame size but I was not confident I had clarity on how I would make such choices. I then moved to a horizontal strip with and without spacing which looked interesting as they blended together well.

My next presentation idea was on a landscape orientation using the original aspect ratio out of camera on a 2×2 grid. This way the 4 images making up each of the 5 stories can be viewed together so the eye can move around picking out items from one image and looking for them on another adding a sense of movement around the house. By printing the set of 4 images on a single A3 the individual images will be large enough to see titles of LPs and books.

The final selection of the 4 images per story was modified a few times once I had printed the 2 x 2 grids. Below is the penultimate version that I decided to rework as a result of my self evaluation.

Whilst writing up the submission and during the writing of this post I decided on the title of the piece – My Media Diary. Having settled on this for a few days and having my five A3 prints sitting on the dining room table I felt that it wasn’t quite right. The sets looked quite strong photographically and the analogue to digital media aspect came across. However, the diary concept was not on show at all and as that was the key part of the brief I decided to look at presentation ideas on the internet. See my ‘Late changes to assignment’ post.

My final submission is an eBook of 21 images consisting of my 20 selected images plus an image of the notebook I used to write my diary entries. This enhances the idea of the move from analogue to digital media consumption. The five stories are in an overlapping sequence with a single image on one page when a new media story is introduced. These signify the start of a new day and the subsequent images make reference back to a previous day.

I have cropped the images using an aspect ratio equivalent to the old media ie. 1×1 for LPs, 2.1×2.97 for DVDs, 1.4 x 1.2 for CDs. I have used nominal ratio of 1.2 x 1.9 for Books and 6×4 for AM/FM radio. The variations in sizes provide an informal feel of jotting down thoughts and notes throughout the day.

Due to issues with the eBook image quality on some browser platforms I have included the images separately in addition to the eBook. I will continue to investigate other eBook products as the course progresses but have chosen a free tool called PubHTML5 for this submission.


Early 2×2 grid layout


Contact Sheets 

My Media Diary – Submission

This submission is the culmination of ‘Putting yourself in the picture’. which covered self-portraits and self-absented portraiture. The assignment raised challenges whichever route I took as discussed in my Early Ideas post [1].

I was keen to understand the mundane Washing-up series by Nigel Shafran [2], as I was dismissive of his work in my coursework post [10]. It raised questions as to why I liked Wolfgang Tillmans’ desk in Studio Still Life [8] and not Shafran’s sink. They are both showing us something about their daily life and the places where they spend a lot of their time. I started taking Shafran a little more seriously after reading an interview [3] he’d had with Charlotte Cotton where he described his process. As a result I decided to take this opportunity to produce a self-absented portraiture project inspired by Shafran’s work.

My diary [4] concentrated on my leisure activities around the home and it became obvious that I spent a lot of time wearing Bluetooth headphones, listening to mp3 music and watching You Tube and Netflix. I noted that I played a CD the other day which was probably the first time this year. This made me think about the analogue to digital media age, including photography. I had already noted the things I now take for granted around the home – books on shelves, DVD cabinet, CD Cabinet, Vinyl LPs tucked away.

I was also intrigued by the notion presented by psychologist Dr Linda Papadopoulos [11], that stress in the modern age is on the increase due to humans not keeping pace with technology and how quickly technology has moved on relative to mankind’s existence. We used to be ‘deep divers’, reading books, LP sleeve notes. Now we are ‘jet skiers’ skimming across readily available digital media.

I have attempted to produce a narrative of my daily interaction with analogue and digital media which will tell the viewer a lot about me without me being present. I don’t want the images to be too staged as I want to make it like a wander around my home. The older media will be shown in cabinets fairly well organised and unused. The modern media will be shown in current use.

My research [5] involved looking at Abelardo Morell’s Childhood [6] series of objects from around the home from a child’s perspective. I also decided to use a technique that Paul Graham had used in Shimmer of Possibility [7] where he produced a series of small stories and combined it with the process of looking and glancing at the subject and surroundings.

After a number of presentation iterations [12], I have presented my diary in the form of an eBook that shows my interaction with media and provides an insight to my home life. There are 5 ‘stories’ intertwined, made up of 4 images. The five stories are in an overlapping sequence with a single image on one page at the point a new media story is introduced. These signify the start of a new day and the subsequent images make reference back to a previous day.

The development of the images and my creative choices are described in my Contact Sheets and Edits [8] post.

Click this link: My Media Diary to view the eBook. (Note: Image quality on a Windows platform is improved by increasing the magnification. Refer to Late Changes post 12] for discussion of variability across platforms).

The eBook page layout and all the stand-alone images (cropped and uncropped) are available to view in case there are problems viewing the pubHTML5 eBook.

Although I have embraced new technology, as this assignment demonstrates, I am still left with a feeling of nostalgia where I reminisce about simpler times.

References:

  1. M. Rainbird, Early Ideas post, 2017
  2. Nigel Shafran Washing-up [accessed 24/11/2017]
  3. Nigel Shafran and Charlotte Cotton interview 2004 [accessed 27/11/2017]
  4. M. Rainbird, Diary Ideas post, 2017
  5. M. Rainbird, Research post, 2017
  6. Abellardo Morell, Childhood, 1986-1991
  7. Paul Graham, Shimmer of Possibility, 2007
  8. Wolfgang Tillmans, Studio Still Life, 2014
  9. M. Rainbird, Contact Sheets and Edit post, 2017
  10. M. Rainbird, Self-absented Portraiture post, 2017
  11. Dr Linda Papadopoulos , Psychologist [accessed 15/12/2017]
  12. M. Rainbird, Late Changes post, 2017
    12a. Graham. P, Whiteness of the Whale, MACK, 2015
    12b. Paul Graham, Shimmer of Possibility, 2007 [accessed 24/11/2017]
    12c. Designing an Exhibition Wall [accessed 16/12/2017]
    12d. Image [&] Narrative  Vol 16, No 3 (2015), B. Lockemann essay [accessed 16/12/2017]
    12e. Beyond the Decisive Moment: Temporality and Montage in Paul Graham’s A Shimmer of Possibility, Bettina Lockeman, 2015,[PDF]
    12f. Blas Gonzales- Putting Yourself in the picture, OCA post, Rob Bloomfield [accessed 16/12/2017]