Finalising and use of appropriation

 “The act of borrowing or reusing existing elements within a new work”

One of the objectives of Assignment 2 asks ‘What is in-photographable?’. Well, needing to capture my childhood self is in-photographable without the use of a time machine. To achieve this aspect in my assignment I have chosen to use images of my younger self taken by my parents. This then led me to question the validity of using photographs taken by others to create a new piece of work. Note that I do have permission from my parents.

Untitled (1989) by Barbara Kruger

At this point I researched ‘appropriation’ and its use by artists and photographers. Barbara Kruger (b.1945) questioned the whole concept of originality. This was an interesting viewpoint. In street photography everything you take belongs or is owned by somebody else. Some objects used in staged images can belong to someone else. Ideas and styles used in art photography can be tracked back to an original author making subsequent works ‘appropriations’ of sorts.

Portraits have been taken many times, it’s just the subject that changes from author to author. The artistic message is predominantly the same in this category of photography.

Fountain (1917) by Marcel Duchamp

This highlights that artistic merit can found in what you select, how you present it and where you present it. This was the view of the French-American artist, sculpture, chess player and writer Marcel Duchamp (b.1887 d.1968). He famously quoted “I don’t believe in art, I believe in artists“. He ‘found’ objects, signed them and presented them in a gallery which were known as ‘readymades’. It questions what is the artist trying to say and at the same time highlighting and celebrating art and artists.

Assignment 2 has made me realise the artistic skill in making the selection of the ‘found’ image. In my case I had several hundred family slide photos to choose from. I required 8 images to pair with my chosen document. The selection of the photo, the selection of the document and the image title were all artistic choices. It wasn’t random. The placement of the document fragments and text was an artistic choice. The final image is a photograph that contains a photograph. It conveys the passing of time. It brings together 3 moments in time. 1) The time of the family photograph. 2) The time of the event in my life. 3) The time of construction and taking of the final image.

The ‘event’ aspect provides the movement of time and conveys the build-up of negativity in my life. The childhood images are from around the same time. They aren’t in any particular age order as that is not relevant. The nostalgia and young me is. The presentation and look & feel will be key to ensuring that it conveys mental health. This is an important artistic choice and the success of this assignment will be judged on how well I deliver that.

It is not enough to overlay some documents on to some old photos and expect it to convey the ‘unseen’ notion of being overwhelmed by events to the point of not being able to cope with everyday life. There has to be another level. I am excited by my idea and keen to see how the assignment develops and where it takes me.

The titles of the images and overall assignment title are a key choice to hold the piece together. I need to ensure I don’t add too much. Don’t overdo puns and don’t make them simplistic. They need to be thoughtful, educated with a hint of optimism.

Possible titles for the assignment:
Take a look at me now.
Can you see me now?
Fix Me!
Get Better.
I am more than this.
Broken people can get better.
Recovery

Image titles and pairings:
See Me!                     Me on a trike outside home         School Book
Pass/Fail?                 Me on my bike                                Driving Test Card
Ejection.                    My 6th Birthday party                  Redundancy Letter
M’aidez!                    Me in a boat on a lake                   Negative equity letter
Someone new.         Me and baby sister                        Divorce court letter
X or Y?                       Me on the beach in my pants      Tumour Ultrasound scan
Break-in!                  Me on a police horse                      Burglary case number
Help me to recover.   Me at the family dinner table   Sick Note

  

This is my first attempt at a composite image using photoshop. I’ll probably reshoot the paper fragments as the white balance does not match. I will also move the fragments around the frame to see what may work. I also need to lighten both the projector image and the document fragments. I like 1:1 frame and the black border that has been created out of camera although I would like a little detail in the black. I also like the raggedness at the edges of the slide. I am considering putting the image title in the lower border but need to research fonts and formatting as I don’t want to ruin the final image. Overall I’m very pleased with where this assignment is heading.

I tried one more thing before finalising my selects for submission. Here I overlaid an image of medication. The idea was to overlay similar images of prescriptions and medication on all 8 compositions. This meant I had to drop the document layer. I liked the result as it provided a cleaner more clinical image and would be accepted by the viewer as a ‘proper’ image. However, I chose to reject the idea as it overemphasised a dependence on medication which is not the point I want to focus on in this assignment. It also lost the personal feel and background story of the events that the document overlays provide. My final submission selects have a number of levels the viewer has to ‘read’. It is the  build up of the events and the effect it had on my mental health that I want to convey. The image below, as the first in the set would give up too much too soon and devalue the point of a series of 8 images.

The idea and artist reasearch

My next stage of development led me to the documents that captured key moments in my life that built and accumulate to a level of anxiety that impacts to getting on with day to day life.

School book – 1979 – work hard, pressure to do well
Driving test appointment card – 1987 – nervousness, trepidation
Redundancy notice letter- 1995 – anger, uncertainty
Negative equity letter – 1998 – must keep earning, stay in a job
Divorce court letter- 1999 – regret, acceptance
Tumour ultrasound x-ray – 2008 – shock, pain
Burglary police case note- 2015 – disbelief, sadness
Sick note – 2017 – Help!

How many times can you get back up from the trials and tribulations of life?

One idea is to create composites of a childhood photo slide overlaid on to the letters/documents.

Decisions:
Balance of scale between the two images?
Choice of photo scene and matching document (outside house for burglary)?
Feelings evoked by each event?
How to make a photo of a letter artistic?
Not want it morbid as it may appear to be about loss of a child.

I initially looked for photographers that used paper/documents in their work and looked at Wolfgang Tilmans’ [4] ‘paper drop’ images which was a study of the materiality of photography.

Paper Drop Prinzessinnenstrasse 2014- Wolfgang Tillmans

 

 

 

 

 

A Google search led me to a BJP article[1] on an exhibition, ‘Alpha’ from November 2015 about ‘masculinity and mental health’. Jennifer Pattison’s [2] project Edward [3] was featured in the article which was a collaborative project with her father who suffered from severe depression while she was growing up. The objects she captures are items that he made or collected during occupational therapy sessions. It is a very personal project covering a difficult and upsetting subject.

Who Is That Then?  2015 – Jennifer Pattison

I wanted to find a photographer who used mental health and or documents in their work. A resource I went to was Art and Photography [5] where I found a triptych by John Hilliard (b. 1945) called Depression/Jealousy/Agression. The images had titles and captions on the two bottom corners. The three images were of the same scene but the point of focus varied for each one. I noted that the point of focus was on the man in the foreground and the background subjects were soft focus. The next image, jealousy, showed a couple hugging which was in focus. The man in the foreground was now out of focus. The use of focus to convey feelings and emotions would be something I could use in my assignment.

Depression (1975) by John Hilliard

Continuing to leaf through the book [5] I came across an image by Mari Mahr (b. 1941) from a series called A Few Days In Geneva. It was a scene where a torn piece of music was overlaid on to an image of a building with open windows. It was the use of the two images overlaid that intrigued me. I delved deeper in to her work and found that she uses the technique in all of her projects, which were mainly about the past and memories. I have written a post [2] to describe her work in more detail.

A Few Days In Geneva (1988) by Mari Mahr

References:

  1. BJP Article Exploring masculinity and mental health through the image [accessed 07/11/2017]
  2. WARNING Contains nudity: Jennifer Pattison website [accessed 07/11/2017]
  3. Jennifer Pattison, Edward post
  4. Wolfgang Tilmans Tate Modern post
  5. Campany. D, Art and Photography,  Phaidon 2007

Idea development

I have reflected on the initial ideas and now ready to hone in on a final idea. To start I will reject the less personal ideas: Air pollution/germs; Food additives; Software; Wood for the trees. I liked all of these ideas especially as they would need another level of creativity to turn them into an ‘Art’ project.

I have also decided not to progress Hearing loss. Even though it is personal I am not able to envisage at this stage how I want to present it using photography.

That leaves me with the following 3 ideas:
Mental health – this would be based on my own personal issues with anxiety and stress which have begun to impact significantly on my day to day life and work.
Alternative futures/what if’s – reflection on life decisions and how they affect your current life and the future.
Nostalgia/Memories – Jodie Taylor’s Memories of Childhood [2] project gave me an idea of using old family ‘slide’ photographs and projector.

Re-reading my initial ideas on each of these subjects I could see a link between how life has led me to this point and how ‘minds’ work based on our life experiences. Everybody reacts differently to events in their life. Timing of those events can also have an impact on how we cope.

I see this project as an investigation in to my own ‘mind’ and another step towards understanding my mental health. It is not meant to be a depressing project but an exploration in to what has made me who I am. An explanation to, not only myself, but friends and family.

I was intrigued and troubled by Peter Mansell’s quote regarding his personal project Check up [1], “The effect of creating such images was cathartic. I had not realised just how much emotional pressure I had repressed for so many years.

The key questions and ideas:
How to link the images? a prop, look and feel
Will I be in the images?
If I am in the images in what form? a shadow, a photograph of younger me, physically (all or part of me)
Using slides photos of myself growing up?
Shining a light through a slide projecting the effect on a photo of me now
What’s the story? stages of my life, key events
Presenting anxiety and stress in times of everyday normality.
Project childhood photo on to prescription/empty medication packet
Staged scenes –  projections on  placed items

 

References:

  1. Peter Mansell’s Check Up
  2. Jodie Taylor Memories of Childhood. [accessed 29/10/2017]

Early ideas

The brief offered two options: Photographing the unseen; Using props.

Initially I had decided to photograph the unseen as the white shirt and handkerchief did not resonate with me. So I set about producing a list of 7 subjects that I felt were un-photographable.

Mental health – this would be based on my own personal issues with anxiety and stress which have begun to impact significantly on my day to day life and work.
Wood for the trees – based on the saying ‘can’t see the wood for the trees’.I like the idea of the meaning behind this saying…getting so much involved in the details of something such that you can not see the whole picture.
Air pollution/germs – I had an idea to use a bright light (eg. projector) to shine on dust particles in various locations in a domestic environment. e.g. living room, bedroom/under bed, bathroom, kitchen, shed, wardrobe/cupboards. Need at least seven but could be too similar.
Hearing loss – Deteriorating hearing is a condition that I have been living with over the past few years. My idea would be based on producing images conveying imbalance and cloudiness.
Software – based around my job of computer application development. The intention would be based on the technology behind the screen. Ideas include using shining light on or through computer components.
Food additives – investigating the source of some of the additives and ingredients in common foods. Bread sitting in a pool of fish oil. Food stuffs covered in paint and/or plastics.
Alternative futures/what if’s – reflection on life decisions and how they affect your current life and the future.
Nostalgia/Memories – Jodie Taylor’s Memories of Childhood project gave me an idea of using old family ‘slide’ photographs and projector.

I would like this assignment to be a narrative using a personal experience. These types of project get a reaction from the viewer in terms of sympathy, understanding or uncomfortableness.  These responses can be from experience of similar situations or seeing something that they do not understand or even shy away from.

I would like to use a prop to make a visually consistent set. Gregory Crewdson uses draped clothing and fabric to tie together indoor and outdoor scenes in is Cathedral of the Pines series. Dewald Botha used the ‘ring road’ as his prop to convey the feeling of being an outsider.